Catalogue Foreword (First-Person):

My practice spans science, art, and enterprise—disciplines often held apart, yet bound in my work by a shared pur

These pieces resist easy classification

Vessels, sculpted heads, and paintings emerge not as expressions, but as questions—mute, archetypal, and deliberEach bears the trace of time: pressure, abrasion, erosion

They are shaped slowly, in solitude, by hand and by wheel—resisting the noise of the world outside.

They are not portraits, containers, or images

They are thresholds—studies in presence and material thought

In a moment shadowed by acceleration and artificial vision, they offer something quieter: gestures of resilience

Questions mad